William Turner - Morning amongst the Coniston Fells, Cumberland (1798)
Nature is one of the most important Romantic themes.
According to Romantics, nature doesn’t mean only a realistic description
of it, but it is the main viewer of the turbulent feelings of the human soul;
poets endow it with life, passion and feelings and talk about nature in terms
once used for God, or a lover or a dear friend.
Moreover, they want to express through the poetry the complex
interaction between man and nature and the emotions, the sensations that arise
from this relationship.
So, nature becomes a source of poetic inspiration, which stimulates the
imagination of the poet.
This particular relationship is described with mastery by WilliamWordsworth, Samuel Taylor Coleridge and Percy Bysshe Shelley.
Wordsworth offers a detailed account of the complex interaction between
man and nature, of the influences, the emotions and the sensations that arise
from this contact, rather than objective and scientific description of the
natural world.
He considers that man and nature are inseparable, in particular the
child, in his innocence and simplicity, is closer than the adult to the
original state of harmony with nature.
So, he believes in the pre-existence of the soul and the soul, after
birth, gradually loses its memory of a perfect union with the universe.
This concept, expressed in Intimations
of Immortality from Recollections of Early Childhood , is integrated with
other meanings in Lyrical Ballads.
Nature is considered as the countryside which is opposed to the noise
and confusion of the town.
Moreover, according to a pantheistic conception, nature is animated by a
divine spirit.
Then, it is considered a source of feelings, joy and pleasure that comforts
man in sorrow and teaches him to love and to act in a moral way.
Nature is the major source of poetic inspiration. Wordsworth considers it as “the nurse, the guide, the guardian of my heart, and soul of all my moral being”.
Unlike Wordsworth, Coleridge doesn’t see nature as a source of consolation and joy or as a moral guide.
His contemplation of nature is accompanied by consciousness of the
presence of the ideal in the real.
Because of his strong Christian faith, Coleridge considers nature as the
only way the “One life” (the divine
power) manifests itself to man; so, all creatures must be respected, being the
“personification of God” (The Rime of the Ancient Mariner).
The natural elements and the landscape are endowed with a deep symbolic
meaning.
He doesn’t identify the nature with the divine according to a
pantheistic conception adopted by Wordsworth, but he sees nature and the
material world in a sort of neoplatonic interpretation as projection of the
real world of “Ideas” (Iperuranio) on the flux of time.
So, Coleridge believes natural images carry abstract meanings and uses
them in his most poems like The Rime ofthe Ancient Mariner.
Unlike Coleridge, Shelley considers nature as a source of joy and a life
force, expression of the “Spirit of Universe”,
which continually creates new life and governs natural phenomena.
So, all creatures aspire to return to the “Whole”, the “One”.
However, nature takes another meaning to Shelley: it is a shelter from
injustices of life and the disappointment of the ordinary world.
In his lyrics, we can locate the poet’s own rebel spirit in communion with the natural scenery and the natural forces.
Like Wordsworth, Shelley considers nature as a source of poetic
inspiration.
He, inspired by the natural phenomena and forces like the West wind in Ode to the West Wind, writes his
lyrics and announces it to the world of men.
So, nature is endowed of social ideals; it becomes a source of prophetic
political and social revolutions.
Through it, Shelley becomes a prophet who notices all men about these
great revolutions.
In Ode to the West Wind , in
fact, just as the wind has no voice without nature, so Shelley asks the wind to
give him the liberating force of poetic inspiration, to transmit a natural
force to the world of men.
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