Animal Farm , written by George Orwell , is a political fable that tells the story of a group of farm animals who rebel against their cruel human master, hoping to create a society where all animals are equal, free, and happy. Inspired by the dream of the wise old pig Old Major, the animals overthrow the farmer Mr. Jones and take control of the farm, renaming it Animal Farm. At first, the animals work together to build an egalitarian community based on the principles of Animalism, summarized in the Seven Commandments painted on the barn wall. However, over time, the pigs—led by the cunning and power-hungry Napoleon—begin to seize control. They gradually assume privileges, manipulate language and truth, and use fear and propaganda to maintain power. Eventually, they become indistinguishable from the humans they once overthrew. This allegory clearly reflects the events of the Russian Revolution of 1917 and the rise of Stalinism. The animals represent different social and political groups...
The traditional fragmentation of time in philosophy and literature: Henri Bergson and Virginia Woolf
Henri Bergson (1859–1941) is, together with Maine de Biran, one of the greatest representatives of a philosophical French movement called Spiritualism.
Spiritualism opposes materialism and positivism, i.e., the metaphysical attitude of scientists who systematically put religion and spirituality aside.
Spiritualism is inspired by the philosophy of Augustine, Descartes, Pascal, focusing on ethical problems.
In the essay Matter and Memory (1896), the philosopher has a deep interest in human cognitive power and in the role of memory and memories.
According to French philosopher, memories are distinguished in pure memories, which are accumulated by consciousness in our memory, and in memory-images, which are articulated by perception into a series of representations.
In this way, when we observe something, we activate a series of images and consequent actions that depend on our previous experiences.
Another key element of Bergson's thought is the theory of élan vital, developed in his essay Creative Evolution.
The élan vital is the vitalistic momentum, which would be at the origin of the entire existence of the universe.
According to Bergson, intuition becomes the necessary tool to know the reality and identify qualitative characteristics (and not only quantitative, as advocated by positivists) between several psychological states.
Another important and innovative theory developed by Bergson is the conception of time and its flow.
To the straight and orderly sequence of chronological events, typical of Aristotelian logic and derived from the analytical activity of our intellect, Bergson opposes intuition, which means time as a continuum. Thus, the time of inner duration, a qualitative dimension connected to the activity of consciousness, acquires much more importance compared to the chronological and measurable time.
Bergson's conception of time profoundly affects the early 19th century artistic and literary world such as Impressionism, Cubism, and intellectuals of the time such as Proust, Einstein, Pirandello and Woolf.

Virginia Woolf is considered one of the most important female novelists belonged to First Generation Modernists.
Her early novels, One Way and Night and Day, immediately show her intention to break the old narrative models inherited from English nineteenth-century novels, especially the subordination of characters and actions to the novel's main theme and descriptions of traditional environments and characters.
However, the first recognitions of her literary originality only began to arrive with her novel Mrs Dalloway.
In this work we observe the technical competence and experimental commitment of the author characterized by the introduction of some images until then proper to poetry.
Influenced by the philosophy of Henri Bergson, she experiments with particular interest the narrative time, both in her individual appearance and in the flow of variations in the consciousness of the character.
Influenced by the philosophy of Henri Bergson, she experiments with particular interest the narrative time, both in her individual appearance and in the flow of variations in the consciousness of the character.
Time is described by the writer in her essay Modern Fiction as the difference between time of the clock and time of the mind.
Like Bergson, Virginia states that chronological time is made up of equal and measurable moments; on the other hand, subjective time is related to consciousness, it is irreversible and made up of unique moments.
This conception of the writer's time is visible in the adoption of short meaningful time units: one day in Mrs Dalloway; two different days in To the Lighthouse, ten years apart but linked through the characters' consciousness; a few hours in Between the Acts.
These short time units, that relate to external events, are expanded almost beyond limits by what goes on within the characters' mind, which can cover years and range from past, present to future.
In order to highlight the way the characters' mind is affected by time of the mind and the impressionistic flow of human thoughts, Virginia Woolf adopted in her novels the stream-of-consciousness technique, indirect narration and other literary espressions (e.g. Orlando, The Waves, Mrs Dalloway, To the Lighthouse).
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